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19.“可能”问“不可能”道:“你住在什么地方呢?”它回答道:“在那无能为力者的梦境里。”
8 L8 o/ l/ a1 o( [6 p. x7 H1 fAsks the Possible to the Impossible, * i" O9 @# F; L' x; y
Where is your dwelling-place?
2 l7 I. F" o' x9 E$ Y5 \In the dreams of the impotent, comes the answer. ( [. X* Q( ]* x1 _ L: l' @* o" D
20.如果你把所有的错误都关在门外时,真理也要被关在门外面了。 If you shut your door to all errors truth will be shut out. ! A; q, W! v1 o4 c! N7 I* f
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21.我听见有些东西在我心的忧闷后面萧萧作响,--我不能看见它们。 6 Y7 k% E4 z8 x; K: f
I hear some rustle of things behind my sadness of heart,
# o( c. b2 O1 T8 \$ H---I cannot see them. 5 b4 `7 h% j9 h( t% F
" |9 f2 O" i. D; ^3 j n22.闲暇在动作时便是工作。静止的海水荡动时便成波涛。
7 j8 s1 o$ N0 A0 Q- W/ Q8 J ULeisure in its activity is work.
( b# ]+ z: n2 XThe stillness of the sea stirs in waves. + W3 ?2 W5 S# H. N: ~
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23.绿叶恋爱时便成了花。花崇拜时便成了果实。
5 }+ C# N- x/ r* j- ~The leaf becomes flower when it loves.
4 L f7 Z& l) |9 h+ YThe flower becomes fruit when it worships.
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- m1 {) f( p1 k7 ~' P. y24.埋在地下的树根使树枝产生果实,却不要什么报酬。
& A8 D! W) N% sThe roots below the earth claim no rewards for making the branches fruitful. 5 g0 c% R0 P6 r+ i
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25.阴雨的黄昏,风无休止地吹着。我看着摇曳的树枝,想念万物的伟大。 0 B7 e5 s) B& i' | q
This rainy evening the wind is restless. * K9 i8 h& o6 D! T# U/ d- D
I look at the swaying branches and ponder over the greatness of 7 a; K) [: |1 J( [3 F
all things. " z) O; ~3 d; |2 ]
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26.子夜的风雨,如一个巨大的孩子,在不合时宜的黑夜里醒来,开始游戏和喧闹。
+ R' h, l: V( R2 c3 y, j NStorm of midnight, like a giant child awakened in the untimely dark,has begun to play and shout.
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% b" @9 k @6 z27.海呀,你这暴风雨的孤寂的新妇呀,你虽掀起波浪追随你的情人,但是无用呀。
. P" ]- I& ~2 eThou raisest thy waves vainly to follow thy lover, O sea, thou 9 _' c4 L5 r# j
lonely bride of the storm.
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28.文字对工作说道:“我惭愧我的空虚。”
, u( ^; L9 S6 @9 O9 \& K工作对文字说道:“当我看见你的时,我便知道我是怎样地贫乏了。” 8 y0 q" }- Z3 F ?
I am ashamed of my emptiness, said the Word to the Work. % A2 Z6 x( o5 D( |1 v4 G) j
I know how poor I am when I see you, said the Work to the Word.
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29.时间是变化的财富。时钟模仿它,却只有变化而无财富。
- N6 B+ B% @1 s2 m' X% K0 F9 N' KTime is the wealth of change, but the clock in its parody makes
1 B1 }+ h0 {2 K+ v5 J: u$ S$ ~it mere change and no wealth. 3 K8 y3 U; c3 ?$ `% c6 _& Y/ H, P$ [% g
) x% W" t! Z$ R1 G/ ^' W+ \, ^30.真理穿了衣裳,觉得事实太拘束了。
% R" q h6 p( k7 a0 P* h1 G在想象中,她却转动得很舒畅。
% N0 ]' f, m+ H8 wTruth in her dress finds facts too tight. 1 q: u# H- d. U* w3 a3 s
In fiction she moves with ease. |
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