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19.“可能”问“不可能”道:“你住在什么地方呢?”它回答道:“在那无能为力者的梦境里。”
- } Z" J1 H" ~4 `' ?Asks the Possible to the Impossible,
7 l& `# [" ~; _) y3 {- P1 \Where is your dwelling-place?
/ r" {; R; L( w9 X0 @% h) ]1 q. \* w6 VIn the dreams of the impotent, comes the answer.
; E0 H4 q: `/ r. r20.如果你把所有的错误都关在门外时,真理也要被关在门外面了。 If you shut your door to all errors truth will be shut out. 1 a( G* O4 m8 z+ b6 a" K
, Y" J! K0 [0 S* a3 J0 h21.我听见有些东西在我心的忧闷后面萧萧作响,--我不能看见它们。 # K1 f5 c# v, O
I hear some rustle of things behind my sadness of heart, * Z2 m+ P. V0 @! M8 M" t. j" Y- b
---I cannot see them.
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22.闲暇在动作时便是工作。静止的海水荡动时便成波涛。
' X S- g. s& kLeisure in its activity is work.
( {' ?' e0 Z) dThe stillness of the sea stirs in waves.
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+ d! k9 E8 P" A, `; E, ?23.绿叶恋爱时便成了花。花崇拜时便成了果实。
I0 P/ l3 k! h# t; X" i, G9 tThe leaf becomes flower when it loves. ( K2 @8 D' L G6 W
The flower becomes fruit when it worships. / ]+ y4 Y0 R8 W8 d5 N
$ M) [1 H+ p( C8 d2 X24.埋在地下的树根使树枝产生果实,却不要什么报酬。 0 G/ i' C A u& X" D
The roots below the earth claim no rewards for making the branches fruitful. ; y# g; e1 b" i% F- M5 T
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25.阴雨的黄昏,风无休止地吹着。我看着摇曳的树枝,想念万物的伟大。
2 u; D: J4 Y3 |! |This rainy evening the wind is restless. # \5 U, J& Y. K0 D
I look at the swaying branches and ponder over the greatness of
9 D- O: I0 _" T5 xall things.
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3 ^! m, B4 t! W# Y/ n* N26.子夜的风雨,如一个巨大的孩子,在不合时宜的黑夜里醒来,开始游戏和喧闹。
# W& p% s1 u0 H) J4 CStorm of midnight, like a giant child awakened in the untimely dark,has begun to play and shout.
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@! n7 }2 R- j0 s27.海呀,你这暴风雨的孤寂的新妇呀,你虽掀起波浪追随你的情人,但是无用呀。 ; u( C( x; I; H) ]) C
Thou raisest thy waves vainly to follow thy lover, O sea, thou
- a! h8 z4 m5 v) n1 c9 ~2 [lonely bride of the storm.
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28.文字对工作说道:“我惭愧我的空虚。” % ~" Y; I6 M9 G9 {
工作对文字说道:“当我看见你的时,我便知道我是怎样地贫乏了。” 5 q' Y9 X0 X% n* o) Z
I am ashamed of my emptiness, said the Word to the Work.
- a0 c% s% @3 ~- ^I know how poor I am when I see you, said the Work to the Word. . V& D ?6 u3 a1 P
5 Q* o5 t& P+ L5 T$ m( L9 |2 y3 I7 u0 g29.时间是变化的财富。时钟模仿它,却只有变化而无财富。 ! u/ X. A0 G; c9 P8 l2 }# {
Time is the wealth of change, but the clock in its parody makes
' `' R3 x6 K/ Eit mere change and no wealth. 8 m* Q+ s" L. _, C8 j3 A, m
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30.真理穿了衣裳,觉得事实太拘束了。 4 E( P: L5 F4 e3 p4 \
在想象中,她却转动得很舒畅。
5 V& K0 C" z. oTruth in her dress finds facts too tight.
- Q8 \/ l- E' V5 k8 @In fiction she moves with ease. |
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