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19.“可能”问“不可能”道:“你住在什么地方呢?”它回答道:“在那无能为力者的梦境里。”
& c& @, h8 W4 Q) w# S( EAsks the Possible to the Impossible, 0 i$ C$ a# X/ ~$ P0 c( @) [
Where is your dwelling-place?
' g. C. m0 ]. ?2 U" g; {; Q- KIn the dreams of the impotent, comes the answer.
]' _' j, Y7 e* R20.如果你把所有的错误都关在门外时,真理也要被关在门外面了。 If you shut your door to all errors truth will be shut out.
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21.我听见有些东西在我心的忧闷后面萧萧作响,--我不能看见它们。
6 _) e5 M* B% EI hear some rustle of things behind my sadness of heart, $ J' a8 b' G1 e9 i" y2 ?8 H: i
---I cannot see them. 6 D; S$ b$ P3 B- u" B% m
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22.闲暇在动作时便是工作。静止的海水荡动时便成波涛。 ) _' u$ ]- V! v5 Z! a
Leisure in its activity is work. ( ^2 R4 Q Z' U# ^
The stillness of the sea stirs in waves.
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23.绿叶恋爱时便成了花。花崇拜时便成了果实。
1 l% F* I' b% |$ A& K+ ]! }The leaf becomes flower when it loves. % Q, Z/ r& }$ w8 g8 x. v
The flower becomes fruit when it worships.
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24.埋在地下的树根使树枝产生果实,却不要什么报酬。 & e' _& I5 a6 f6 h1 y
The roots below the earth claim no rewards for making the branches fruitful.
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- \/ A! l+ {5 ]+ a25.阴雨的黄昏,风无休止地吹着。我看着摇曳的树枝,想念万物的伟大。 9 @8 J M$ M& C
This rainy evening the wind is restless. 5 H1 C: b/ u( i$ J+ n3 v* K: R
I look at the swaying branches and ponder over the greatness of ; [7 z- s. }2 w. k3 y4 t
all things. 9 n8 B8 `9 |2 F* s
* e5 Y" j( `$ J# G) R2 _ V26.子夜的风雨,如一个巨大的孩子,在不合时宜的黑夜里醒来,开始游戏和喧闹。
: U6 [9 `4 P0 hStorm of midnight, like a giant child awakened in the untimely dark,has begun to play and shout.
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27.海呀,你这暴风雨的孤寂的新妇呀,你虽掀起波浪追随你的情人,但是无用呀。
% t: j" K5 o1 H; sThou raisest thy waves vainly to follow thy lover, O sea, thou $ k& O+ ]- c6 o/ Q
lonely bride of the storm.
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2 n' e: _5 W, A. s- o; S0 r/ |28.文字对工作说道:“我惭愧我的空虚。” 6 i7 z- H6 q$ T) [/ N, m
工作对文字说道:“当我看见你的时,我便知道我是怎样地贫乏了。” 8 U( F' [' u/ L& x" B! B& O, X
I am ashamed of my emptiness, said the Word to the Work. 3 j( p% r* `" `4 L/ m
I know how poor I am when I see you, said the Work to the Word. * V# ]* y0 b+ Y( q) ^! l! T
. d+ @& c$ v* D" {6 F29.时间是变化的财富。时钟模仿它,却只有变化而无财富。
/ w2 n% u9 U4 ^8 T$ W" K5 xTime is the wealth of change, but the clock in its parody makes : N' q; m! S+ h4 W& A7 X" |. s- L
it mere change and no wealth. 0 E/ a6 C+ S3 y+ s0 S
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30.真理穿了衣裳,觉得事实太拘束了。
, O3 B) ?$ u; E/ }( l9 N在想象中,她却转动得很舒畅。 " c$ j6 A1 c2 p6 i1 f6 `! |( S
Truth in her dress finds facts too tight.
: u, C& ]( x' o+ }# |8 mIn fiction she moves with ease. |
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