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19.“可能”问“不可能”道:“你住在什么地方呢?”它回答道:“在那无能为力者的梦境里。”
5 X* R- r, X3 @) k' a0 ZAsks the Possible to the Impossible, - @4 @8 Y0 _& K3 j" x) f
Where is your dwelling-place? ( |& Y e1 u4 V; H
In the dreams of the impotent, comes the answer.
0 B- ^& S- f( s" ]2 `* r20.如果你把所有的错误都关在门外时,真理也要被关在门外面了。 If you shut your door to all errors truth will be shut out.
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21.我听见有些东西在我心的忧闷后面萧萧作响,--我不能看见它们。
: `6 ?" w- C' J, B. _I hear some rustle of things behind my sadness of heart, 2 ~1 D8 I: q5 ^9 b1 S# i. h! p4 [
---I cannot see them.
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22.闲暇在动作时便是工作。静止的海水荡动时便成波涛。
; P$ j# P; D3 `+ e, d# ?5 x7 tLeisure in its activity is work. + `/ S1 q+ L7 _
The stillness of the sea stirs in waves.
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23.绿叶恋爱时便成了花。花崇拜时便成了果实。
& x" C) q( y* R8 I% t" D! ^) p5 _The leaf becomes flower when it loves. 0 _4 Q+ {7 H1 c
The flower becomes fruit when it worships.
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$ C3 H, d5 W1 n3 `; s6 V% y8 r& {24.埋在地下的树根使树枝产生果实,却不要什么报酬。 , `& Y: R, z9 O8 t3 S/ N
The roots below the earth claim no rewards for making the branches fruitful. $ _( K9 k- t4 z: ^$ J$ e( z& F7 G
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25.阴雨的黄昏,风无休止地吹着。我看着摇曳的树枝,想念万物的伟大。 ! U6 u2 o4 o9 s+ `
This rainy evening the wind is restless. 8 l2 v6 M: ^9 T- X
I look at the swaying branches and ponder over the greatness of
' V) a' e0 Y( m2 Z8 N1 U- Jall things. + ~6 j3 U+ }# J3 G( b4 }7 g
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26.子夜的风雨,如一个巨大的孩子,在不合时宜的黑夜里醒来,开始游戏和喧闹。 , i. }, T! t2 n0 h4 ^
Storm of midnight, like a giant child awakened in the untimely dark,has begun to play and shout.
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27.海呀,你这暴风雨的孤寂的新妇呀,你虽掀起波浪追随你的情人,但是无用呀。 . Q/ P! f, g/ v5 I% f
Thou raisest thy waves vainly to follow thy lover, O sea, thou
# L/ i7 J( G* B2 t9 A* P3 G. Z5 Llonely bride of the storm.
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28.文字对工作说道:“我惭愧我的空虚。”
. u' w( T% _! {# _8 s工作对文字说道:“当我看见你的时,我便知道我是怎样地贫乏了。”
! r) n9 o- h6 ]( a4 @5 n8 XI am ashamed of my emptiness, said the Word to the Work.
% v# e: B! n4 g9 l8 gI know how poor I am when I see you, said the Work to the Word.
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29.时间是变化的财富。时钟模仿它,却只有变化而无财富。
/ |/ H9 k' Q7 W5 q7 ~% [6 p8 J: p& ?" yTime is the wealth of change, but the clock in its parody makes / ^+ U$ k- O6 {
it mere change and no wealth. 4 w8 R9 F- `8 E
/ d3 y2 o( U7 C$ N30.真理穿了衣裳,觉得事实太拘束了。 % o- H, e2 A2 q; |/ y$ }9 Q/ t
在想象中,她却转动得很舒畅。
3 f/ i* H0 J D0 U' j! @( eTruth in her dress finds facts too tight. 7 q' ~- K0 Y, J
In fiction she moves with ease. |
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