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19.“可能”问“不可能”道:“你住在什么地方呢?”它回答道:“在那无能为力者的梦境里。”
3 b. @8 Z1 v9 i* Y4 o- _Asks the Possible to the Impossible, / j+ i! |$ r0 {+ s9 T8 a( h& F5 m
Where is your dwelling-place? + O+ h0 t( \- X# J" S d8 V' o0 ^
In the dreams of the impotent, comes the answer. ( u# \4 c9 A- `
20.如果你把所有的错误都关在门外时,真理也要被关在门外面了。 If you shut your door to all errors truth will be shut out.
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, K) R* b, Q: _: h21.我听见有些东西在我心的忧闷后面萧萧作响,--我不能看见它们。 ! C9 S: P! ~2 [0 D2 j
I hear some rustle of things behind my sadness of heart,
9 s! w8 Z, Y+ t" B2 A---I cannot see them.
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; F( ]5 g, u& L) s2 b( ^3 w7 C. t22.闲暇在动作时便是工作。静止的海水荡动时便成波涛。
& l: O: L1 h) ]6 G! I( B: xLeisure in its activity is work.
* x; j( H$ k" @* J$ `The stillness of the sea stirs in waves.
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23.绿叶恋爱时便成了花。花崇拜时便成了果实。
' H. ^: L- C/ d; F! }" _8 h! h! @The leaf becomes flower when it loves.
. W3 m9 i( \% yThe flower becomes fruit when it worships. . X; ~' f7 |3 W
' x8 _, e' x* {% E, P3 p6 z" P* q24.埋在地下的树根使树枝产生果实,却不要什么报酬。
8 j6 u- H/ t/ C/ x! N9 P. ^7 GThe roots below the earth claim no rewards for making the branches fruitful. 1 {( u$ r* |9 @ W: C% q
$ E5 P) @0 w" x5 `1 a25.阴雨的黄昏,风无休止地吹着。我看着摇曳的树枝,想念万物的伟大。 % E2 ^: J( {3 H: L* L
This rainy evening the wind is restless. & [6 a C. @% q9 I
I look at the swaying branches and ponder over the greatness of
2 D+ K% H- `0 U+ q! ~all things.
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/ C0 K, V6 D" D. {8 z26.子夜的风雨,如一个巨大的孩子,在不合时宜的黑夜里醒来,开始游戏和喧闹。
, L+ R2 x6 Y) z2 k6 vStorm of midnight, like a giant child awakened in the untimely dark,has begun to play and shout.
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/ U! k, q+ G1 D# C% j27.海呀,你这暴风雨的孤寂的新妇呀,你虽掀起波浪追随你的情人,但是无用呀。 1 c4 R0 G1 ?; ~& Y; S; z9 {
Thou raisest thy waves vainly to follow thy lover, O sea, thou O7 _, k6 u& @2 j; _
lonely bride of the storm.
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28.文字对工作说道:“我惭愧我的空虚。” , H; b# ?, [5 ]& w; h- t0 g' i0 Z
工作对文字说道:“当我看见你的时,我便知道我是怎样地贫乏了。”
A8 O/ d; ~/ vI am ashamed of my emptiness, said the Word to the Work.
. q2 X4 O. ?9 T& Q7 S N5 L- N! a# ~I know how poor I am when I see you, said the Work to the Word.
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- T3 Z9 s- b- C( M- l7 T/ @29.时间是变化的财富。时钟模仿它,却只有变化而无财富。 7 @: Y. J' t$ `, i4 L0 j7 y; V
Time is the wealth of change, but the clock in its parody makes
1 ^# [$ [$ k' j' Bit mere change and no wealth.
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/ L6 H7 O J* N. O9 t30.真理穿了衣裳,觉得事实太拘束了。
9 b4 z; p9 F& c在想象中,她却转动得很舒畅。
! y$ Z: C6 N/ X0 s( _# `6 ITruth in her dress finds facts too tight. * j* [- }9 M4 p5 V8 e
In fiction she moves with ease. |
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