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19.“可能”问“不可能”道:“你住在什么地方呢?”它回答道:“在那无能为力者的梦境里。” 3 a, {3 P; R5 S3 o% }* y
Asks the Possible to the Impossible, + T3 j }; b) h$ V' C% f9 d
Where is your dwelling-place? / G2 A. m$ L: P- G1 Q h v" v9 q
In the dreams of the impotent, comes the answer. , ^4 r% M" }. {& s9 p1 s
20.如果你把所有的错误都关在门外时,真理也要被关在门外面了。 If you shut your door to all errors truth will be shut out.
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( h9 q5 C, A! i21.我听见有些东西在我心的忧闷后面萧萧作响,--我不能看见它们。 ( x, F4 l, }' l q1 `! Q
I hear some rustle of things behind my sadness of heart,
! E: W2 \- n! H" w/ b---I cannot see them.
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22.闲暇在动作时便是工作。静止的海水荡动时便成波涛。 1 Z* D& _# P) N2 t) G
Leisure in its activity is work.
2 V1 l/ P, w2 J ?7 v& WThe stillness of the sea stirs in waves.
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23.绿叶恋爱时便成了花。花崇拜时便成了果实。 9 x; W/ I+ n: ^' T
The leaf becomes flower when it loves.
, t+ C& C7 b: e) uThe flower becomes fruit when it worships.
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24.埋在地下的树根使树枝产生果实,却不要什么报酬。
, m6 }: ~" g0 X0 ] u7 i* o2 k8 c! ~3 QThe roots below the earth claim no rewards for making the branches fruitful.
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25.阴雨的黄昏,风无休止地吹着。我看着摇曳的树枝,想念万物的伟大。 4 _/ H w# I- i1 L
This rainy evening the wind is restless. 3 ]* n8 ]# ]* j. ^5 r! s
I look at the swaying branches and ponder over the greatness of & t% _, F! X! z2 z/ X
all things. % I4 S1 v0 [) B& X
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26.子夜的风雨,如一个巨大的孩子,在不合时宜的黑夜里醒来,开始游戏和喧闹。
5 I+ Y. N# G( q) u; l. h0 ~Storm of midnight, like a giant child awakened in the untimely dark,has begun to play and shout. 2 T3 Y/ _; k0 f
; i$ Q! n" @4 f% Z27.海呀,你这暴风雨的孤寂的新妇呀,你虽掀起波浪追随你的情人,但是无用呀。
/ S/ v9 t+ U" v; G2 h6 C5 jThou raisest thy waves vainly to follow thy lover, O sea, thou
/ |" e$ J# g Xlonely bride of the storm. 4 c) O9 v0 }& P7 ^) e6 u+ M/ G
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28.文字对工作说道:“我惭愧我的空虚。”
8 ~$ C* S! a8 y- S# a% P工作对文字说道:“当我看见你的时,我便知道我是怎样地贫乏了。” ; V8 Y' D2 }* y- S2 t9 N
I am ashamed of my emptiness, said the Word to the Work.
% H% l2 X( M' [, v( x. BI know how poor I am when I see you, said the Work to the Word. $ z |- r7 Q: G. M+ g1 ?
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29.时间是变化的财富。时钟模仿它,却只有变化而无财富。
& C# ]& x3 s7 X3 p8 h) cTime is the wealth of change, but the clock in its parody makes
; Q6 ^# F, M; iit mere change and no wealth.
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30.真理穿了衣裳,觉得事实太拘束了。
$ [* \: x" E1 b! n6 O: {$ _2 j在想象中,她却转动得很舒畅。 - b( d2 h3 d- f1 p/ E
Truth in her dress finds facts too tight. 9 I' f" J$ p( _" b$ H* U
In fiction she moves with ease. |
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