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19.“可能”问“不可能”道:“你住在什么地方呢?”它回答道:“在那无能为力者的梦境里。” , d- C% K/ o b' C
Asks the Possible to the Impossible,
' U' Z. Z. q) D, MWhere is your dwelling-place?
( h6 c/ o3 O, \% i+ S, G. ?& lIn the dreams of the impotent, comes the answer.
3 G4 j! R) _" i$ ?8 A" p* }5 n20.如果你把所有的错误都关在门外时,真理也要被关在门外面了。 If you shut your door to all errors truth will be shut out. . [, ?/ b' A/ P' r, E' _7 X$ m
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21.我听见有些东西在我心的忧闷后面萧萧作响,--我不能看见它们。
$ S/ {6 K7 X6 f) mI hear some rustle of things behind my sadness of heart,
" N5 ?6 Q8 A0 e t9 B6 j0 Z---I cannot see them. ! G/ _0 ], ~6 r$ D' c# \
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22.闲暇在动作时便是工作。静止的海水荡动时便成波涛。
0 w( v/ h; a0 _ @% G7 sLeisure in its activity is work. $ O2 r' O4 H5 `3 t3 S
The stillness of the sea stirs in waves.
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23.绿叶恋爱时便成了花。花崇拜时便成了果实。
7 F* i& b- O# d+ p8 H1 }The leaf becomes flower when it loves. * I; a" R8 o- Q# w1 s% f0 _7 ~: g% ~
The flower becomes fruit when it worships.
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! N, w5 U. d* S9 ^& f24.埋在地下的树根使树枝产生果实,却不要什么报酬。
) k3 X% j$ p* ~$ _2 [# tThe roots below the earth claim no rewards for making the branches fruitful. 9 Y z9 o h% ?
6 T* r+ L* [9 _& Y, @25.阴雨的黄昏,风无休止地吹着。我看着摇曳的树枝,想念万物的伟大。
4 f1 F1 [/ S5 H3 b/ _This rainy evening the wind is restless. ; t$ w5 l: C; _2 [, M
I look at the swaying branches and ponder over the greatness of
; F0 {" Q: j I( ^all things.
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4 J1 G9 O; L( n% d, i& @26.子夜的风雨,如一个巨大的孩子,在不合时宜的黑夜里醒来,开始游戏和喧闹。
! Y/ ?- @0 N) g8 vStorm of midnight, like a giant child awakened in the untimely dark,has begun to play and shout.
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) K9 N2 o2 Y6 `27.海呀,你这暴风雨的孤寂的新妇呀,你虽掀起波浪追随你的情人,但是无用呀。
/ h8 B: r: i6 o6 ^6 f! i2 CThou raisest thy waves vainly to follow thy lover, O sea, thou ( z/ w1 O% b+ d9 s( ]
lonely bride of the storm.
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28.文字对工作说道:“我惭愧我的空虚。”
u6 f* [/ l* _! U7 z" p: Q p工作对文字说道:“当我看见你的时,我便知道我是怎样地贫乏了。”
$ Q' Y4 s$ ?- w( WI am ashamed of my emptiness, said the Word to the Work.
7 U! e+ Q5 X) EI know how poor I am when I see you, said the Work to the Word. + [( [* G$ |2 e, x
; X8 M6 ~* y5 P9 n29.时间是变化的财富。时钟模仿它,却只有变化而无财富。
& E2 a! M" \0 g9 r% b4 ZTime is the wealth of change, but the clock in its parody makes
- j' {' `/ d) ^it mere change and no wealth.
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30.真理穿了衣裳,觉得事实太拘束了。
8 Y+ A( [4 J& m% \8 c, L在想象中,她却转动得很舒畅。
6 L6 y% U$ j8 ~& g( pTruth in her dress finds facts too tight.
# i& @' a+ e- j& l* NIn fiction she moves with ease. |
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