泰戈尔诗6

llhn123456

１９.“可能”问“不可能”道：“你住在什么地方呢？”它回答道：“在那无能为力者的梦境里。”　　　　　　　　　　
Asks the Possible to the Impossible,
# E& ?  @7 m; B! l" `Where is your dwelling-place?
In the dreams of the impotent, comes the answer.　　　　　　　　　　　　　　　　　　
２０.如果你把所有的错误都关在门外时，真理也要被关在门外面了。　　If you shut your door to all errors truth will be shut out.

+ r! Z3 J% b' h" P/ {２１.我听见有些东西在我心的忧闷后面萧萧作响，－－我不能看见它们。
I hear some rustle of things behind my sadness of heart,
% r* H* P* q: K5 H: P---I cannot see them.
: m+ L6 B) m; u0 c; C
8 q& s4 ?' K2 V* o4 W２２.闲暇在动作时便是工作。静止的海水荡动时便成波涛。
. U* j: h1 C: B# e( d' dLeisure in its activity is work.
The stillness of the sea stirs in waves.
5 u8 D, [* \7 L! P. B( ~$ J( A, |
２３.绿叶恋爱时便成了花。花崇拜时便成了果实。
% q  C# x3 R4 P6 UThe leaf becomes flower when it loves.
The flower becomes fruit when it worships.

２４.埋在地下的树根使树枝产生果实，却不要什么报酬。
The roots below the earth claim no rewards for making the　branches　fruitful.

: m3 u0 B" |; i- q  b% }7 ^9 i" Z$ I! C２５.阴雨的黄昏，风无休止地吹着。我看着摇曳的树枝，想念万物的伟大。
This rainy evening the wind is restless.
I look at the swaying branches and ponder over the greatness of
+ X3 |: k6 M- b8 _  d% A: vall things.

２６.子夜的风雨，如一个巨大的孩子，在不合时宜的黑夜里醒来，开始游戏和喧闹。
, Y+ o; f, y8 [% p5 r! o, D# \6 nStorm of midnight, like a giant child awakened in the untimely dark,has begun to play and shout.
# U7 ]; D; [0 y. p" \* y, s( X
２７.海呀，你这暴风雨的孤寂的新妇呀，你虽掀起波浪追随你的情人，但是无用呀。
. |& f6 O+ Y% }* q8 I5 kThou raisest thy waves vainly to follow thy lover, O sea, thou
lonely bride of the storm.
0 u! b. e/ V2 o) Y4 `
- Q% G, g2 M* V2 ?7 t  T% F9 Z２８.文字对工作说道：“我惭愧我的空虚。”
工作对文字说道：“当我看见你的时，我便知道我是怎样地贫乏了。”
% Z3 G0 Q. d; W; `6 ~I am ashamed of my emptiness, said the Word to the Work.
' z1 q7 |: H" {3 A; }3 NI know how poor I am when I see you, said the Work to the Word.
# j3 h* o0 z: E( T0 o3 o  o
２９.时间是变化的财富。时钟模仿它，却只有变化而无财富。
Time is the wealth of change, but the clock in its parody makes
! P+ S4 X6 t4 p+ U/ x! X' [0 J$ nit mere change and no wealth.
7 @) D1 t3 }+ D6 s3 D" Y2 n
３０.真理穿了衣裳，觉得事实太拘束了。
2 t! w; u4 M$ z) Q1 p在想象中，她却转动得很舒畅。
Truth in her dress finds facts too tight.
  i5 g+ v* h6 @( A, j) ^) P% V# dIn fiction she moves with ease.