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19.“可能”问“不可能”道:“你住在什么地方呢?”它回答道:“在那无能为力者的梦境里。” ! c: e+ B9 t( R+ ^3 v1 I, e3 d- S
Asks the Possible to the Impossible, ) K# o( B* U5 F% w, j; R+ a7 _
Where is your dwelling-place? 7 f1 L, u+ |: D8 P$ v4 P% q+ z
In the dreams of the impotent, comes the answer. 2 R/ k' ^$ L$ K' @- p
20.如果你把所有的错误都关在门外时,真理也要被关在门外面了。 If you shut your door to all errors truth will be shut out. 8 t5 W( Q# G; S9 q: g
$ H9 }5 M+ u6 m2 v% ~21.我听见有些东西在我心的忧闷后面萧萧作响,--我不能看见它们。 7 n' O0 ?% |" L
I hear some rustle of things behind my sadness of heart,
0 e9 u2 { g- T1 n---I cannot see them.
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22.闲暇在动作时便是工作。静止的海水荡动时便成波涛。
9 L# q6 K R# B8 @Leisure in its activity is work.
+ g* G2 A, ^# \, ~# _4 vThe stillness of the sea stirs in waves. * c( H8 J' {* Q
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23.绿叶恋爱时便成了花。花崇拜时便成了果实。
; S/ W7 q5 }" G/ D7 \The leaf becomes flower when it loves. 4 c& u* x# s% h# e! t5 }$ F
The flower becomes fruit when it worships.
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24.埋在地下的树根使树枝产生果实,却不要什么报酬。
2 R1 J) }( V9 UThe roots below the earth claim no rewards for making the branches fruitful.
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( p1 K' k+ u+ u) I; K: b25.阴雨的黄昏,风无休止地吹着。我看着摇曳的树枝,想念万物的伟大。 & X4 J6 u' p* D9 ?1 } B) R J
This rainy evening the wind is restless. . Z- \$ B6 X* W* n. b
I look at the swaying branches and ponder over the greatness of $ J! N5 n6 [& {! E! \
all things.
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. ], R" [7 ]" @26.子夜的风雨,如一个巨大的孩子,在不合时宜的黑夜里醒来,开始游戏和喧闹。
# B( P1 A# u' P% e8 }7 lStorm of midnight, like a giant child awakened in the untimely dark,has begun to play and shout.
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27.海呀,你这暴风雨的孤寂的新妇呀,你虽掀起波浪追随你的情人,但是无用呀。
! v. v" g1 O3 wThou raisest thy waves vainly to follow thy lover, O sea, thou - M9 O. }/ O) Y+ n' [7 A2 l) ^9 H
lonely bride of the storm. 5 L1 p1 j2 c6 U1 t. K' G
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28.文字对工作说道:“我惭愧我的空虚。” 5 {" P/ b9 c1 }7 f. X
工作对文字说道:“当我看见你的时,我便知道我是怎样地贫乏了。”
0 n% G) y( I+ k6 o2 ?( E zI am ashamed of my emptiness, said the Word to the Work. - }" b9 e2 }. @
I know how poor I am when I see you, said the Work to the Word.
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29.时间是变化的财富。时钟模仿它,却只有变化而无财富。 2 n7 |: \2 r& f" |
Time is the wealth of change, but the clock in its parody makes
( a9 b7 S2 t6 a+ iit mere change and no wealth.
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: O2 ^2 ]; E! N9 o. }30.真理穿了衣裳,觉得事实太拘束了。 8 W# _( @7 s9 x( L/ w' F
在想象中,她却转动得很舒畅。 ( _, f2 F' ]& ], g r
Truth in her dress finds facts too tight. 2 H. r4 K/ I/ S# b
In fiction she moves with ease. |
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