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19.“可能”问“不可能”道:“你住在什么地方呢?”它回答道:“在那无能为力者的梦境里。” 3 L! ]6 \( b! [
Asks the Possible to the Impossible,
$ W* ?7 E9 J, d' ^# GWhere is your dwelling-place? * V2 G: T8 ^) t0 y' t `
In the dreams of the impotent, comes the answer.
7 z B1 W, I1 ?7 e$ G20.如果你把所有的错误都关在门外时,真理也要被关在门外面了。 If you shut your door to all errors truth will be shut out.
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21.我听见有些东西在我心的忧闷后面萧萧作响,--我不能看见它们。 4 d- N6 f' C# I9 B) [7 P$ M4 ^7 i/ N
I hear some rustle of things behind my sadness of heart,
: F* {" D: T/ r% X; \4 ~: {---I cannot see them.
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22.闲暇在动作时便是工作。静止的海水荡动时便成波涛。
; d' K: l" R3 D1 @2 XLeisure in its activity is work.
, |' l4 v/ R* a9 Y( qThe stillness of the sea stirs in waves.
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23.绿叶恋爱时便成了花。花崇拜时便成了果实。
& W$ K0 T" c& M9 P7 u0 ^" tThe leaf becomes flower when it loves. 5 T% f9 ~7 k" i
The flower becomes fruit when it worships. 7 Z2 P1 V0 b6 X; B
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24.埋在地下的树根使树枝产生果实,却不要什么报酬。 ' J, m7 B( W' E( E! v7 O' O
The roots below the earth claim no rewards for making the branches fruitful. 7 j3 d1 }6 g$ j. j! ? x B
3 A3 M' _- y8 p( R% g; \25.阴雨的黄昏,风无休止地吹着。我看着摇曳的树枝,想念万物的伟大。
; c# s* \# ?; W9 [; M) FThis rainy evening the wind is restless.
: V9 X' o8 `3 L! W# Q' @4 BI look at the swaying branches and ponder over the greatness of : b) o( \+ j+ i. Z4 i# @
all things.
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26.子夜的风雨,如一个巨大的孩子,在不合时宜的黑夜里醒来,开始游戏和喧闹。 6 Y; }4 u* S3 w$ t
Storm of midnight, like a giant child awakened in the untimely dark,has begun to play and shout.
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27.海呀,你这暴风雨的孤寂的新妇呀,你虽掀起波浪追随你的情人,但是无用呀。
) |9 B! g5 T) R0 `& Q1 CThou raisest thy waves vainly to follow thy lover, O sea, thou . @8 L8 L* U/ z- B
lonely bride of the storm. U( n3 t r# O& M3 U# L) K j
1 ^$ o2 X& U- N; v; @& V @28.文字对工作说道:“我惭愧我的空虚。”
( L- H+ o }9 n/ I工作对文字说道:“当我看见你的时,我便知道我是怎样地贫乏了。” 4 P8 o9 [0 d0 R; p+ A
I am ashamed of my emptiness, said the Word to the Work. 4 p( a0 {2 `, r, e" ~- V
I know how poor I am when I see you, said the Work to the Word.
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29.时间是变化的财富。时钟模仿它,却只有变化而无财富。 9 v T8 a% n, S. q# H; ^
Time is the wealth of change, but the clock in its parody makes
: r7 x) y& f7 Q pit mere change and no wealth. $ _7 |2 v" G$ \! x5 j" }4 k6 V0 |
; A4 N$ ]( T" r) w30.真理穿了衣裳,觉得事实太拘束了。 $ a+ o6 B9 `% ^2 l6 k2 c+ P
在想象中,她却转动得很舒畅。
8 c& x* f3 f2 T$ @8 @6 R8 PTruth in her dress finds facts too tight.
6 G3 S* j! g Q$ r! N6 \! X! Q, _In fiction she moves with ease. |
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